September 9 - October 28

LALANI JENNINGS CONTEMPORARY ART GALLERY

RIPE AND RUIN | Martin Pearce / Sarah Graeme

"These paintings were made to explore a paradox; the more various materials were combined, applied and reapplied to a canvas, the closer the generated effects approached ephemerality (mists and fog, rain, smoke, even ghosts)"

  • Martin Pearce |

    Ghost

    2023 | 20 x 16 | Mixed media on Canvas

  • Martin Pearce |

    Bancha

    2023 | 48 x 42 | Mixed media on Canvas

  • Martin Pearce |

    The Shore

    2023 | 24 x 24 | Mixed media on Canvas

  • Martin Pearce |

    Memory Colours - Green Room

    2023 | 24 x 36 | Mixed media on Canvas

  • Martin Pearce |

    Ashes

    2023 | 48 x 36 | Mixed media on Canvas

  • Martin Pearce |

    Memory Colours - Flatford

    2023 | 24 x 36 | Mixed media on Canvas

  • Martin Pearce |

    Northern Peninsula

    2023 | 24 x 20 | Mixed media on Canvas

  • Martin Pearce |

    Blue Ghost

    2023 | 24 x 18 | Mixed media on Canvas

  • Martin Pearce |

    Trace I

    2023 | 30 x 50 | Mixed media on Canvas

  • Martin Pearce |

    Trace II

    2023 | 24 x 36 | Mixed media on Canvas

  • Martin Pearce |

    Haworth

    2023 | 32 x 20 | Mixed media on Canvas

  • Martin Pearce |

    Memory Colours - Smith Square

    2023 | 24 x 36 | Mixed media on Canvas

  • Martin Pearce |

    Island

    2023 | 12 x 24 | Mixed media on Canvas

  • Martin Pearce |

    Danae

    2023 | 24 x 36 | Mixed media on Canvas

  • Martin Pearce |

    Locard's Exchange

    2023 | 24 x 36 | Mixed media on Canvas

  • Sarah Graeme |

    Embodied Husk V

    2023 | 11.5 x 10 x 10 | Stoneware, wood fired

  • Sarah Graeme |

    Dissilience XVI

    2023 | 3 X 3 X 3.5 | Stoneware, Wood fired soda

    2023 | 11 x 6 x 3.5 | Stoneware, Wood fired soda, Dandelion fibres

  • Sarah Graeme |

    Embodied Husk II

    2023 | 15 x 6 x 6 | Stoneware, Wood fired soda

  • Sarah Graeme |

    Embodied Husk III

    2023 | 14 x 6.5 x 6 | Stoneware, slip, Wood fired

  • Sarah Graeme |

    Embodied Husk I

    2023 | 16 x 7 x 7.5 | Stoneware, Wood fired

  • Sarah Graeme |

    Dissilience II

    2023 | 6.5 x 6.5 x 4 | Stoneware, Slip, Wood fired

  • Sarah Graeme |

    Dissilience XII

    2023 | 11 x 8.5 x 8.5 | Stoneware, slip, Wood fired

  • Sarah Graeme |

    Dissilience IX

    2023 | 7 x 5.5 x 5.5 | Stoneware, Slip, Wood fired

  • Sarah Graeme |

    Dissilience XIII

    2023 | 6 x 5 x 4 | Stoneware, Wood Fired

  • Sarah Graeme |

    Embodied Husk IV

    2023 | 12 x 10 x 10 | Stoneware, Wood fired

  • Sarah Graeme |

    Dissilience I

    2023 | 6 x 6 x 4.5 | Stoneware, Wood fired

  • Sarah Graeme |

    Dissilience III

    2023 | 2 x 3.5 x 3.5 | Porcelain, Slip, Wood Fired

  • Sarah Graeme |

    Dissilience IV

    2023 | 6 x 4 x 3 | Stoneware, Wild clay slip, Wood fired soda

  • Sarah Graeme |

    Dissilience V

    2023 | 10 x 8 x 5 | Stoneware, Wood fired

  • Sarah Graeme |

    Dissilience VI

    2023 | 5 x 3 x 5 | Stoneware, Slip, Wood Fired

  • Sarah Graeme |

    Dissilience VII

    2023 | 5.5 10 x 7 | Stoneware, Wood fired, Dandelion fibers

  • Sarah Graeme |

    Dissilience X

    2023 | 5 x 3 x 5 | Porcelain, Slip, Wood fired

  • Sarah Graeme |

    Dissilience XI

    2023 | 6 x 5 x 3.5 | Porcelain, Slip, Wood Fired, Dandelion fibres

  • Sarah Graeme |

    Dissilience XIV

    2023 | 7 x 8 x 4.5 | Stoneware, Slip, Wild clay slip, Wood fired soda, Dandelion fibres

  • Sarah Graeme |

    Dissilience XVIII

    2023 | 8 x 5 x 6 | Stoneware, Wood fired soda

  • Sarah Graeme |

    Dissilience XIX

    2023 | 4 x 5 x 6 | Stoneware, Wild clay slip, Wood fired soda, Dandelion fibres

Martin Pearce |

Martin Pearce has been making and exhibiting paintings and drawings since 1990. He is the Director of the School of Fine Art and Music at the University of Guelph. Pearce's work is represented by Birch Contemporary in Toronto. His paintings and drawings are in public and private collections in Canada, the UK and the USA.

Sarah Graeme |

Sarah Graeme is an emerging ceramic artist currently based on T’Sou-ke and Pacheedaht Territory on Vancouver Island (Shirley, BC). She received her BFA from NSCAD University (2021). Sarah’s work combines ceramic forms with plant fibres using weaving and basketry techniques. This combination and overlap in craft mediums and ways-of-making serves as a personal reflection in the context of materials, relationships, and place. 

Her work is created intuitively as a conversation with materials, considering where they have come from, how they were processed, and exploring the relationship and responsibilities inherent in using them.