

September 9 - October 28
LALANI JENNINGS CONTEMPORARY ART GALLERY
RIPE AND RUIN | Martin Pearce / Sarah Graeme
"These paintings were made to explore a paradox; the more various materials were combined, applied and reapplied to a canvas, the closer the generated effects approached ephemerality (mists and fog, rain, smoke, even ghosts)"
Martin Pearce |
Ghost2023 | 20 x 16 | Mixed media on Canvas
Martin Pearce |
Bancha2023 | 48 x 42 | Mixed media on Canvas
Martin Pearce |
The Shore2023 | 24 x 24 | Mixed media on Canvas
Martin Pearce |
Memory Colours - Green Room2023 | 24 x 36 | Mixed media on Canvas
Martin Pearce |
Ashes2023 | 48 x 36 | Mixed media on Canvas
Martin Pearce |
Memory Colours - Flatford2023 | 24 x 36 | Mixed media on Canvas
Martin Pearce |
Northern Peninsula2023 | 24 x 20 | Mixed media on Canvas
Martin Pearce |
Blue Ghost2023 | 24 x 18 | Mixed media on Canvas
Martin Pearce |
Trace I2023 | 30 x 50 | Mixed media on Canvas
Martin Pearce |
Trace II2023 | 24 x 36 | Mixed media on Canvas
Martin Pearce |
Haworth2023 | 32 x 20 | Mixed media on Canvas
Martin Pearce |
Memory Colours - Smith Square2023 | 24 x 36 | Mixed media on Canvas
Martin Pearce |
Island2023 | 12 x 24 | Mixed media on Canvas
Martin Pearce |
Danae2023 | 24 x 36 | Mixed media on Canvas
Martin Pearce |
Locard's Exchange2023 | 24 x 36 | Mixed media on Canvas
Sarah Graeme |
Embodied Husk V2023 | 11.5 x 10 x 10 | Stoneware, wood fired
Sarah Graeme |
Dissilience XVI2023 | 3 X 3 X 3.5 | Stoneware, Wood fired soda
2023 | 11 x 6 x 3.5 | Stoneware, Wood fired soda, Dandelion fibresSarah Graeme |
Embodied Husk II2023 | 15 x 6 x 6 | Stoneware, Wood fired soda
Sarah Graeme |
Embodied Husk III2023 | 14 x 6.5 x 6 | Stoneware, slip, Wood fired
Sarah Graeme |
Embodied Husk I2023 | 16 x 7 x 7.5 | Stoneware, Wood fired
Sarah Graeme |
Dissilience II2023 | 6.5 x 6.5 x 4 | Stoneware, Slip, Wood fired
Sarah Graeme |
Dissilience XII2023 | 11 x 8.5 x 8.5 | Stoneware, slip, Wood fired
Sarah Graeme |
Dissilience IX2023 | 7 x 5.5 x 5.5 | Stoneware, Slip, Wood fired
Sarah Graeme |
Dissilience XIII2023 | 6 x 5 x 4 | Stoneware, Wood Fired
Sarah Graeme |
Embodied Husk IV2023 | 12 x 10 x 10 | Stoneware, Wood fired
Sarah Graeme |
Dissilience I2023 | 6 x 6 x 4.5 | Stoneware, Wood fired
Sarah Graeme |
Dissilience III2023 | 2 x 3.5 x 3.5 | Porcelain, Slip, Wood Fired
Sarah Graeme |
Dissilience IV2023 | 6 x 4 x 3 | Stoneware, Wild clay slip, Wood fired soda
Sarah Graeme |
Dissilience V2023 | 10 x 8 x 5 | Stoneware, Wood fired
Sarah Graeme |
Dissilience VI2023 | 5 x 3 x 5 | Stoneware, Slip, Wood Fired
Sarah Graeme |
Dissilience VII2023 | 5.5 10 x 7 | Stoneware, Wood fired, Dandelion fibers
Sarah Graeme |
Dissilience X2023 | 5 x 3 x 5 | Porcelain, Slip, Wood fired
Sarah Graeme |
Dissilience XI2023 | 6 x 5 x 3.5 | Porcelain, Slip, Wood Fired, Dandelion fibres
Sarah Graeme |
Dissilience XIV2023 | 7 x 8 x 4.5 | Stoneware, Slip, Wild clay slip, Wood fired soda, Dandelion fibres
Sarah Graeme |
Dissilience XVIII2023 | 8 x 5 x 6 | Stoneware, Wood fired soda
Sarah Graeme |
Dissilience XIX2023 | 4 x 5 x 6 | Stoneware, Wild clay slip, Wood fired soda, Dandelion fibres
Martin Pearce |
Martin Pearce has been making and exhibiting paintings and drawings since 1990. He is the Director of the School of Fine Art and Music at the University of Guelph. Pearce's work is represented by Birch Contemporary in Toronto. His paintings and drawings are in public and private collections in Canada, the UK and the USA.
Sarah Graeme |
Sarah Graeme is an emerging ceramic artist currently based on T’Sou-ke and Pacheedaht Territory on Vancouver Island (Shirley, BC). She received her BFA from NSCAD University (2021). Sarah’s work combines ceramic forms with plant fibres using weaving and basketry techniques. This combination and overlap in craft mediums and ways-of-making serves as a personal reflection in the context of materials, relationships, and place.
Her work is created intuitively as a conversation with materials, considering where they have come from, how they were processed, and exploring the relationship and responsibilities inherent in using them.